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Michael Giltz
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Broadway Shows , Book Of Mormon Broadway , Broadway By The Year , Broadway By
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Inspiring Funny Hot Scary Outrageous Amazing Weird CrazyTheater: Broadway By The Year --
1997 Not Vintage But Fun
The Broadway Musicals of 1997 ** 1/2 out of ****
Town Hall
The current season of Scott Siegel's catnip for theater
fans series -- Broadway By The Year -- ended with a
show focused on the big musicals of 1997. It wasn't a
vintage year for great songs. But it did provide a peak
moment for composer Frank Wildhorn, whose wildlydevoted fans packed Town Hall to see the stars ofJeckyll & Hyde reunite on stage in New York for the first
time in more than a decade.
The format is always the same. Current Broadway stars,
veterans and rising talent come together to sing tunes
from various shows. If available, people from the original cast are naturally welcome. Ross Patterson isthe musical director, Jeffrey Denman provides the choreography and performs and Siegel provides tidbits
of information that make the audience sigh or giggle in memory of a bygone era. Invariably, you spot
some new talent, remember a show fondly and find a new one whose cast album you want to check out.
The dominance of Wildhorn -- who had both J&H as well as The Scarlet Pimpernel on Broadway in 1997
-- was both the night's biggest draw and major drawback. His tunes remain relentlessly obvious and dull,
despite the best efforts of the talent involved. Robert Cuccioli, Linda Eder and Christiane Noll clearlysavored returning to the biggest hit of their careers -- Noll also directed the evening -- and brought anintensity to their various duets and solos ("This Is the Moment," "It's A Dangerous Game," "In His Eyes")
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that was a thrill for the fans but quite unrewarded by the songs themselves.
Better luck was had with The Life , the musical about drug addicts, pimps and prostitutes. Tony winners
Chuck Cooper and Lillias White both dug into their show-stoppers with easy magnetism. "Don't Take Too
Much" and "The Oldest Profession" aren't truly great songs but these two pros made them feel like it.
As good as they were, they didn't make me want to see a new staging of The Life. But that's exactly how I
feel about Titanic and Steel Pier. I saw the under-appreciated Titanic in its original production and while
the numbers done this night didn't exactly sell the show, they reminded me how special and somber an
offering it was. Steel Pier was more of a crowd pleaser, thanks to Karen Ziemba reprising some of her
great work on that Kander & Ebb show.
The vocal arrangement on "Satin Doll" (from a Johnny Mercer tribute called Dream ) was fun, aided
nicely by the hoofing, including an appealing Drew Humphrey. Poor Christina Bianco was saddled with
one of Elton John's weakest pop hits, "Can You Feel The Love Tonight?" from the blockbuster The Lion
King. It really shouldn't be performed, but if you must, a very light touch is called for. Bianco delivered it
with intensity and drama, which made the tune all the more insufferable. She won the crowd back with a
jokey "duet" with her inner Kristin Chenoweth on "Two Little Words," also from Steel Pier. I found it too
shticky but the audience ate it up; if Forbidden Broadway were still around, she'd have a job.
The show ended with "The Circle Of Life," which if you've seen The Book Of Mormon can't help bring a
snicker as you remember their mocking tune "I Am Africa." (Maybe that's why Lillias White sat out thefinale yet took a curtain call.)
But the highpoint looked on paper like a gimmick. The musical Sideshow was about conjoined twins,
played famously by Alice Ripley and Emily Skinner. Here the number was performed by Tyler Maynard of
Altar Boyz and the very handsome David Burnham of the current Cy Coleman tribute The Best Is Yet To
Come (which also includes Lillias White). Clever, I suppose, was my thought upon seeing the pairing for
"Who Will Love Me As I Am?" But it wasn't a stunt. They turned the tune into a powerful duet thatworked wonderfully, the sort of moment any Broadway show would kill for -- a great song delivered withpassion by two fresh talents. Here are the two original Broadway stars performing the song on Rosie .
Maynard and Burnham were terrific, even though the dashing Burnham has never wondered in his entirelife if someone would just love him as he is -- the answer has always been, of course. It's the sort ofperformance that keeps you coming back to the series. Up next in July is a three-pack of shows by Siegel,including his annual look at some of the best new talent from theatrical institutions around the countrycalled Broadway's Rising Stars .
The Theater Season 2011-2012
Broadway By The Year: 1997 ** 1/2
One Arm ***
Spiderman: Turn Off The Dark * 1/2
Thanks for reading. Michael Giltz is the cohost of Showbiz Sandbox, a weekly pop culture podcast that
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