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Theater , Video , Playwrights Horizons , Jeanine Serralles , Jordan Harrison , Maple And
Vine , Off-Broadway , Entertainment News
0 10 1
0React
Inspiring Funny Hot Scary Outrageous Amazing Weird CrazyTheater: "Maple And Vine" Finds
The Future Is...Back In The Year1955
MAPLE AND VINE **
PLAYWRIGHTS HORIZON
Jordan Harrison's new play is very high concept, a sort
of Pleasantville for real. You've heard of Civil War
reenactments and maybe been to one of those touristsites where actors pretend to be Pilgrims and answerquestions about their daily routine.
In this comic drama, Harrison imagines a group of
people who take this one step further: they create agated community where everyone is committed to livingback in 1955. Wives mostly stay at home and preparemeals, husbands go to work and have a few drinks after,the TV shows I Love Lucy on one of its three channels,
racism and other prejudices are subtly back in style andso on. Why?
Why indeed. It doesn't take much thinking to realize that only very damaged people would want toescape to a "better" time in the past. Mind you, there is something to be said for repression and limits -primetime comedies are sometimes more sophisticated than cable versions because they can't simplyshow sex or curse freely and therefore must be more creative. The idea bubbling under Maple and Vine is
that the repressions of the 1950s might serve a similar freeing purpose for our heros.
We begin in the present -- wait, the whole show takes place in the present. We begin in the City where
Katha (Marin Ireland) is sunk into a depression over a miscarriage and her husband Ryu (Peter Kim)finds his career as a plastic surgeon unsatisfying. The play spends ten or so tiresome minutes trying toconvince us that these two would be open to uprooting their lives and joining a cult -- as Ryu puts it --where they'd lose all contact with the outside world and be living in 1955.
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Maple And Vine would have been much better off beginning right away with the sales pitch by Dean
(Trent Dawson) and Ellen (Jeanine Serralles). They have a lot of fun embodying 50s cliches with passion,
from the right clothes to the right lingo (but not too much; don't overdo it, they caution). Besides, wenever really buy the central conceit that our heroes would actually do this, especially since they're a
mixed race couple and that raises all sorts of complicating issues.
The show develops a little interest when Katha -- now Kathy, no funky offbeat names in 1955, thank you
very much -- blossoms as a housewife, Ryu finds the lowered expectations at his job a relief, and they
encourage some subtle prejudice in order to spice up their experience. Further complications arise when
we discover Dean is a homosexual. The Commies are presumably just around the corner though at Maple
and Vine they're mostly present as a scare tactic rather than a real internal threat (just like in 1950s
America)!
You need to upgrade your Adobe Flash Player to watch this video.
Download it from Adobe.
I want to praise Alexander Dodge's smart-looking set but I won't. I think perhaps the gorgeous new
facilities and resources of Playwrights Horizons gave him too many toys to play with. The switches fromone lovingly presented 50s household to another to the City to streets and so on are laboriously createdby wheeling giant sets on and off the stage by a tireless crew (they even took a deserved bow). Worse is
the factory floor where Ryu folds boxes. Nothing could be lower tech than that, but to get to the factory
floor, Dodge raises up out of the floor a very elaborate metal-table/space with a hole for dumping boxes.
They could have easily created the same setting far more easily with a simple wooden table at the front ofthe stage or some other low-tech idea.
Even more distracting are the giant visual banners hung above the City apartment and on the wall at the
beginning of the show. They look like windshields during a rainstorm and it's hard to know if they serveany purpose other than to be distracting and hide the roof of the 1955 household that Katha and Ryu willoccupy. In general, the set design involves an awful lot of heavy lifting for very little effect. The same istrue of the show itself. Director Anne Kaufman keeps the material at hand delivered smoothly, thoughthe elaborate set changes might have made her feel more like a traffic cop than director. Ilona Somogyiwisely avoids jokey outfits and keeps the 50s look spot-on in the costumes. David Weiner subtly uses thecontrast between over-lit sets (for that sitcom feel) and more subtle lighting when deeper emotions ariseand sound designer Bray Poor's work is invisble as it should be.
The actors struggle to get across the central conceit, especially our heros. Ireland improves a bit as her
character wakes up, though Kim never makes much impression. As mentioned, Dawson has more fun asthe closeted Dean and Pedro Pascal is good in dual roles as his lover and an office worker in the City.
The show is almost worth seeing simply for the wonderfully amusing and rich performance of Serralles,
who plays Ellen and an office worker in the City. She has somehow created a backstory for Ellen that isconvincing and true to her and makes that character's commitment to 1955 both sad and very, veryfunny. She gets a laugh from shrugging her shoulder or just saying hello and then even manages to wringsome emotion out of Ellen's predicament. Harrison's play may be flawed but the crazy concept gaveSerralles enough material to craft a subtle, hilarious portrait of desperation. We already knew the visionof a rosy past was an illusion. But the future for Serralles just got brighter.
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The Submission **
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Thanks for reading. Michael Giltz is the cohost of Showbiz Sandbox, a weekly pop culture podcast that
reveals the industry take on entertainment news of the day and features top journalists and opinion
makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog.
Download his podcast of celebrity interviews and his radio show, also called Popsurfing and also
available for free on iTunes. Link to him on Netflix and gain access to thousands of ratings and reviews.
Note : Michael Giltz was provided with free tickets to these shows with the understanding that he
would be writing a review.
Follow Michael Giltz on Twitter: www.twitter.com/michaelgiltz
Buy a link here Sponsored Links
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Featuring fresh takes and real-time analysis from
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Michael Giltz
Freelance writer Subscribe 2GET UPDATES FROM MICHAEL GILTZ
Follow
Theater , Video , Playwrights Horizons , Jeanine Serralles , Jordan Harrison , Maple And
Vine , Off-Broadway , Entertainment News
0 10 1
0React
Inspiring Funny Hot Scary Outrageous Amazing Weird CrazyTheater: "Maple And Vine" Finds
The Future Is...Back In The Year1955
MAPLE AND VINE **
PLAYWRIGHTS HORIZON
Jordan Harrison's new play is very high concept, a sort
of Pleasantville for real. You've heard of Civil War
reenactments and maybe been to one of those touristsites where actors pretend to be Pilgrims and answerquestions about their daily routine.
In this comic drama, Harrison imagines a group of
people who take this one step further: they create agated community where everyone is committed to livingback in 1955. Wives mostly stay at home and preparemeals, husbands go to work and have a few drinks after,the TV shows I Love Lucy on one of its three channels,
racism and other prejudices are subtly back in style andso on. Why?
Why indeed. It doesn't take much thinking to realize that only very damaged people would want toescape to a "better" time in the past. Mind you, there is something to be said for repression and limits -primetime comedies are sometimes more sophisticated than cable versions because they can't simplyshow sex or curse freely and therefore must be more creative. The idea bubbling under Maple and Vine is
that the repressions of the 1950s might serve a similar freeing purpose for our heros.
We begin in the present -- wait, the whole show takes place in the present. We begin in the City where
Katha (Marin Ireland) is sunk into a depression over a miscarriage and her husband Ryu (Peter Kim)finds his career as a plastic surgeon unsatisfying. The play spends ten or so tiresome minutes trying toconvince us that these two would be open to uprooting their lives and joining a cult -- as Ryu puts it --where they'd lose all contact with the outside world and be living in 1955.
MOST POPULAR ON HUFFPOST 1 of 2
Isaac Balloons Into A
Hurricane, New Orleans
Threatened
Limbaugh's Wild Isaac
Conspiracy
FOLLOW USCelebrity TV Political Hollywood Features Hollywood Buzz Videos
Help Us Write 'The Words'
Quick Read | Comments (26) | 08.20.2012August 29, 2012
Edition: U.S.
John Hillcoat Sen. Ben Cardin
Harry Shearer Jeffrey SachsHOT ON THE BLOG
Posted: 12/08/11 02:20 PM ET
SHARE THIS STORY
Submit this storyGet Entertainment Alerts
Sign UpSPONSOR GENERATED POST
Recommend 629
Like 6k
Electronic Dance Music Political Hollywood The Avengers One Direction Armchair Detective More Log in Create Account
Maple And Vine would have been much better off beginning right away with the sales pitch by Dean
(Trent Dawson) and Ellen (Jeanine Serralles). They have a lot of fun embodying 50s cliches with passion,
from the right clothes to the right lingo (but not too much; don't overdo it, they caution). Besides, wenever really buy the central conceit that our heroes would actually do this, especially since they're a
mixed race couple and that raises all sorts of complicating issues.
The show develops a little interest when Katha -- now Kathy, no funky offbeat names in 1955, thank you
very much -- blossoms as a housewife, Ryu finds the lowered expectations at his job a relief, and they
encourage some subtle prejudice in order to spice up their experience. Further complications arise when
we discover Dean is a homosexual. The Commies are presumably just around the corner though at Maple
and Vine they're mostly present as a scare tactic rather than a real internal threat (just like in 1950s
America)!
You need to upgrade your Adobe Flash Player to watch this video.
Download it from Adobe.
I want to praise Alexander Dodge's smart-looking set but I won't. I think perhaps the gorgeous new
facilities and resources of Playwrights Horizons gave him too many toys to play with. The switches fromone lovingly presented 50s household to another to the City to streets and so on are laboriously createdby wheeling giant sets on and off the stage by a tireless crew (they even took a deserved bow). Worse is
the factory floor where Ryu folds boxes. Nothing could be lower tech than that, but to get to the factory
floor, Dodge raises up out of the floor a very elaborate metal-table/space with a hole for dumping boxes.
They could have easily created the same setting far more easily with a simple wooden table at the front ofthe stage or some other low-tech idea.
Even more distracting are the giant visual banners hung above the City apartment and on the wall at the
beginning of the show. They look like windshields during a rainstorm and it's hard to know if they serveany purpose other than to be distracting and hide the roof of the 1955 household that Katha and Ryu willoccupy. In general, the set design involves an awful lot of heavy lifting for very little effect. The same istrue of the show itself. Director Anne Kaufman keeps the material at hand delivered smoothly, thoughthe elaborate set changes might have made her feel more like a traffic cop than director. Ilona Somogyiwisely avoids jokey outfits and keeps the 50s look spot-on in the costumes. David Weiner subtly uses thecontrast between over-lit sets (for that sitcom feel) and more subtle lighting when deeper emotions ariseand sound designer Bray Poor's work is invisble as it should be.
The actors struggle to get across the central conceit, especially our heros. Ireland improves a bit as her
character wakes up, though Kim never makes much impression. As mentioned, Dawson has more fun asthe closeted Dean and Pedro Pascal is good in dual roles as his lover and an office worker in the City.
The show is almost worth seeing simply for the wonderfully amusing and rich performance of Serralles,
who plays Ellen and an office worker in the City. She has somehow created a backstory for Ellen that isconvincing and true to her and makes that character's commitment to 1955 both sad and very, veryfunny. She gets a laugh from shrugging her shoulder or just saying hello and then even manages to wringsome emotion out of Ellen's predicament. Harrison's play may be flawed but the crazy concept gaveSerralles enough material to craft a subtle, hilarious portrait of desperation. We already knew the visionof a rosy past was an illusion. But the future for Serralles just got brighter.
The Theater Season 2011-2012 (on a four star scale)
The Agony And The Ecstasy Of Steve Jobs ** 1/2
GOP Candidate Compares
Pregnancy From Rape To
What?
MAP: Hurricane Isaac's Path
Aims For Gulf Coast
GOP Approves Abortion Ban
Sylvester Stallone's Half-
Sister Dies At 48
PHOTO: Christina Aguilera's
'Your Body' Dress Doesn't
Leave Much To The
Imagination
The Most Awkward Wedding
Photobombs
PHOTOS: Katy Perry Tries
Orange Hair
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John Hillcoat
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Sen. Ben Cardin
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MOST DISCUSSED RIGHT NOW 1 of 2Recommend 18k
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Pink's Super Sheer Outfit
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Christina Milian Is ExcitedFor New Season Of
American Idol and X Factor
Samuel L. Jackson's
Shocking Tweets About
All-American **
All's Well That Ends Well/Shakespeare in the Park **
The Atmosphere Of Memory 1/2 *
Bonnie & Clyde feature profile of Jeremy Jordan
Broadway By The Year: 1997 ** 1/2
The Cherry Orchard with Dianne Wiest **
Chinglish * 1/2
Crane Story **
Cymbeline at Barrow Street Theatre ***
An Evening With Patti Lupone and Mandy Patinkin ***
Follies *** 1/2
Fragments ***
Godspell ** 1/2
Hair ***
Hand To God ***
Hero: The Musical * 1/2
Hugh Jackman: Back On Broadway ***
Irving Berlin's White Christmas ***
King Lear at Public with Sam Waterston **
Krapp's Last Tape with John Hurt ***
Lake Water **
Love's Labor's Lost at the PublicLab ** 1/2
Man And Boy * 1/2
The Man Who Came To Dinner **
Maple And Vine **
Master Class w Tyne Daly ** 1/2
Measure For Measure/Shakespeare in the Park ***
Milk Like Sugar ***
Misterman ** 1/2
The Mountaintop ** 1/2
Newsies **
Pigpen's The Nightmare Story *** 1/2
Once *** 1/2
Olive and The Bitter Herbs ** 1/2
One Arm ***
Other Desert Cities on Broadway ** 1/2
Private Lives **
Queen Of The Mist ** 1/2
Radio City Christmas Spectacular ** 1/2
Relatively Speaking * 1/2
The Select (The Sun Also Rises) ** 1/2
Seminar **
Septimus & Clarissa *** 1/2
Silence! The Musical * 1/2
69 Degrees South * 1/2
Sons Of The Prophet *** 1/2
Spiderman: Turn Off The Dark * 1/2
Standing On Ceremony: The Gay Marriage Plays **
The Submission **
Sweet and Sad **
Unnatural Acts ***
Venus In Fur ***
We Live Here **
Wild Animals You Should Know ** 1/2
Zarkana **
NEW YORK MUSICAL THEATRE FESTIVAL 2011
Blanche: The Bittersweet Life Of A Wild Prairie Dame *** 1/2
Central Avenue Breakdown ** 1/2
Crazy, Just Like Me ***
Cyclops: A Rock Opera *
Ennio: The Living Paper Cartoon ** 1/2
F---ing Hipsters **
Ghostlight **
Gotta Getta Girl ** 1/2 for staged reading
Greenwood *HOT ON FACEBOOK 1 of 3
HOT ON TWITTER 1 of 2
HUFFPOST'S BIG NEWS PAGES
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Smoking
Ask The Parent
Coach
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Unplug And
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Mitt Romney
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Rachel
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Ann Romney
Natural
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Woman is 57 But Looks 27
Long Island City Mom publishes simple
facelift trick that angered doctors...
ConsumerLifestyles.org
What is Scientology?
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Scientology.org/What_Is_Scientology
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Isaac
Jon Voight Blasts Obama
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Mainstream Media
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RetweetSleep Better: How To Use All Your
Senses To Promote Sleep
http://t.co/1UxSV5oG /via @heykim
pattonoswalt
RetweetOh man. Gorgeous, touching
obituary for Tony Scott by@KevinFCorrigan . This one's a gut-
punch: http://t.co/ajVp7K1L
Robin Williams As
Dwight D.
Eisenhower In...
Fall Movie Preview
2012: 'The Hobbit,'
'Django...
Lynyrd Skynyrd's
RNC Gig Canceled
Amid Hurricane...
Samuel L. Jackson:
'Unfair' Hurricane
Isaac Avoid...Jack Perry Is Alive (And Dating) * 1/2
Kiki Baby ** 1/2
Kissless * 1/2
Madame X **
The Pigeon Boys ***
Time Between Us * 1/2
Tut **
FRINGEFEST NYC 2011
Araby *
The Bardy Bunch **
Books On Tape ** 1/2
Civilian **
Hard Travelin' With Woody ***
Leonard Cohen Koans *** 1/2
The More Loving One **
The Mountain Song *** 1/2
Paper Cuts ***
Parker & Dizzy's Fabulous Journey To The End Of The Rainbow ** 1/2
Pearl's Gone Blue ***
Rachel Calof ** 1/2
Romeo & Juliet: Choose Your Own Ending **
2 Burn * 1/2
Walls and Bridges **
What The Sparrow Said ** 1/2
Yeast Nation ***
Thanks for reading. Michael Giltz is the cohost of Showbiz Sandbox, a weekly pop culture podcast that
reveals the industry take on entertainment news of the day and features top journalists and opinion
makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog.
Download his podcast of celebrity interviews and his radio show, also called Popsurfing and also
available for free on iTunes. Link to him on Netflix and gain access to thousands of ratings and reviews.
Note : Michael Giltz was provided with free tickets to these shows with the understanding that he
would be writing a review.
Follow Michael Giltz on Twitter: www.twitter.com/michaelgiltz
Buy a link here Sponsored Links
Woman is 57 But Looks 27
Long Island City Mom publishes simple facelift trick that angered doctors...
ConsumerLifestyles.org
What is Scientology?
Think For Yourself and Find Out For Yourself.
Scientology.org/What_Is_Scientology
Car Sharing New York City
Find Zipcars In NYC. Get $75 Free Driving, Join Today.
zipcar.com
New Policy in New York
June 2012: Drivers w/ no DUIs eligible for up to 50% off car insurance
TheFinanceAuthority.com
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Comments 0 Pending Comments 0 View FAQ
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