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BY MICHAEL GILTZ the national conversation. It's reported as
news. [Discussions of] plays migrate to Playwright Alan Bennett's "The His-the editorial pages and the news pages."
tory Boys" has made history all over When Hytner isn't directing theater
the world. The drama - a story of hits like "The History Boys," "Miss Sai-
, a group of young men studying for gon" .and "The Madness of King George"
their college exams -has taken that or movies ("The Crucible"), he's the head
subject, mixed in songs, a sexually of England's National Theatre. There
suspect character, a debate on education Hytner launched a program of plays each
and a cast filled with talented unknowns season offered at rock-bottom prices
and turned it into a genuine sensation.lt (less than $20 for every ticket) I wh:iclLbas
was a hit mLondon's West End, traveled probably been one inspiration behind
the world, then came triumphantly to' similar moves in New York at the Signa-
Broadway, winning six Tony Awards (in-ture Theater Company. the Public
eluding Best Elay) last spring. Theater and elsewhere.
lnan amazingly quick transition to the Perhaps -subSidized cheap seats will "To me, you have a theater community Barnett admits thaigetting caught up
screen, the movie version opens 'fuesday, help theater in America come back to- here and we don't ill London," says Bar-ill all the stage-awards frenzy surround-
with the complete theatrical cast intact, ward the center of ow: culture, he says. nett, who also starred last year in the film ing "The History Boys" earlier this year
including acclaimed actorsFrances de la theway it was in the 1950s when plays "Mrs. Henderson Presents ," a virtual val-wasn't always healthy. Eutifthenew
Tour and Richard Griffiths. For director tackled the big issues and songs from entine to stage life. ' Our West End com- movie generates Oscar talk this fall, he
Nicholas Hytner, .it's all stunning c-onfir- musicals flew onto the pop charts. For munity is not a community really -it's says he'll have learned alesson,
mation that the stage remains crucial. young actor Samuel Barnett -who plays a very disparate bunch of people doing "If you get a nomination, that's the
"I do think theater still has a central sweetly sensitive student Posner -the- plays and musicals. I've never experi- thing to celebrate," says Barnett. "Leave I
role" in the arts, says Hytner. In the U.K, atet'in New York already has something enced it like in New York, where every-the rest up to whomever, because it's out "
'. he says, "It seems to be regularly part of London doesn't: A sense of fraternity. one knows each other. I loved that." of your hands." • "
" " ~~ ~' --------------------------------------------------- ----------------- ----------------------.--------- ------------------------------' .,
BY MICHAEL GILTZ the national conversation. It's reported as
news. [Discussions of] plays migrate to Playwright Alan Bennett's "The His-the editorial pages and the news pages."
tory Boys" has made history all over When Hytner isn't directing theater
the world. The drama - a story of hits like "The History Boys," "Miss Sai-
, a group of young men studying for gon" .and "The Madness of King George"
their college exams -has taken that or movies ("The Crucible"), he's the head
subject, mixed in songs, a sexually of England's National Theatre. There
suspect character, a debate on education Hytner launched a program of plays each
and a cast filled with talented unknowns season offered at rock-bottom prices
and turned it into a genuine sensation.lt (less than $20 for every ticket) I wh:iclLbas
was a hit mLondon's West End, traveled probably been one inspiration behind
the world, then came triumphantly to' similar moves in New York at the Signa-
Broadway, winning six Tony Awards (in-ture Theater Company. the Public
eluding Best Elay) last spring. Theater and elsewhere.
lnan amazingly quick transition to the Perhaps -subSidized cheap seats will "To me, you have a theater community Barnett admits thaigetting caught up
screen, the movie version opens 'fuesday, help theater in America come back to- here and we don't ill London," says Bar-ill all the stage-awards frenzy surround-
with the complete theatrical cast intact, ward the center of ow: culture, he says. nett, who also starred last year in the film ing "The History Boys" earlier this year
including acclaimed actorsFrances de la theway it was in the 1950s when plays "Mrs. Henderson Presents ," a virtual val-wasn't always healthy. Eutifthenew
Tour and Richard Griffiths. For director tackled the big issues and songs from entine to stage life. ' Our West End com- movie generates Oscar talk this fall, he
Nicholas Hytner, .it's all stunning c-onfir- musicals flew onto the pop charts. For munity is not a community really -it's says he'll have learned alesson,
mation that the stage remains crucial. young actor Samuel Barnett -who plays a very disparate bunch of people doing "If you get a nomination, that's the
"I do think theater still has a central sweetly sensitive student Posner -the- plays and musicals. I've never experi- thing to celebrate," says Barnett. "Leave I
role" in the arts, says Hytner. In the U.K, atet'in New York already has something enced it like in New York, where every-the rest up to whomever, because it's out "
'. he says, "It seems to be regularly part of London doesn't: A sense of fraternity. one knows each other. I loved that." of your hands." • "
" " ~~ ~' --------------------------------------------------- ----------------- ----------------------.--------- ------------------------------' .,