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WEDNESDAY, OCTOBER 16, 2019
THEATER: "Soft Power" In Hard Times
SOFT POWER ** out of ****
THE PUBLIC THEATER
In 2015, playwright David Henry Hwang had a very bad November.
First, Hillary Clinton was the choice of most Americans, including
Hwang. But the antiquated and ill-conceived Electoral College systemmeant Donald Trump became President of the United States. If thatwasn't bad enough for a Tony-winning New York liberal, Hwang wasattacked on the street. He was stabbed in the neck, nearly dying from a
random hate crime. The assailant took no money and fled after Hwang
shouted out in clear, unaccented English "What the fuck?," whichapparently threw the bastard for a loop.
These twin assaults on democracy and decency led Hwang to question
everything. Is the American experiment reaching an end? Will healways be too Chinese for some Americans and too American for someChinese? Where does he belong? Where does anyone belong? And
why do musicals starring Asians appear on Broadway only once every
decade or so? And why is it almost always a revival of
The King and I?
Like any real artist, Hwang turned his pain and probing into art. Soft
Power is an awkward, ugly duckling of a play that yearns to transform
into a swan of a musical. It's a mess but boy is his heart in the rightplace: on his sleeve.
Actually, I've just described the set-up of the show. In it, the character
DHH (a too-earnest Francis Jue) is meeting with a producer from
Shanghai named Xūe Xíng (Conrad Ricamora). Xūe company wants to
turn Shanghai into the Broadway of Asia (though it kind of already is),starting with a big, fat, American-style musical with a Chineseperspective. And they want DHH to write it!MICHAEL GILTZ AT WORK
Michael Giltz is a freelance writer
based in NYC and can be reached atmgiltz@pipeline.com
FAVORITE LINKS
Americablog
Five O'Clock Lightning baseball blogDeep Pop -- Lori Lakin's Blog
The Back Page -- Jason Page on ESPN
Radio
Cine-Blog -- George Robinson's Blog
Documents On Art & Cinema - Daryl
Chin's Blog
Brucie G's Wondrous Blog Of
Adventure and Mystery -- Bruce
Greenspan's Blog
BLOG ARCHIVE
▼ 2019 (81)
► November (1)
▼ October (21)
The movie they want him to adapt into this show? A hugely popular
romantic comedy about a husband and wife who are both miserable,
explore the idea of dating others but end up staying together for thesake of their vows and their child. It's called
Stick With Your Mistake
and the very Chinese idea of sacrifice for the greater good (of the
marriage, the family, the community, the country) is precisely what
appeals to Xūe and turns off Hwang.
Nonetheless, they go to a performance of The King and I, dissect the
musical's very problematic attitude towards non-Westerners,
acknowledge its emotional power, grab a chance to meet Clinton at a
meet-and-greet...and then Hwang is stabbed in the neck.
Hwang slips into a fever dream while recovering from his attack (in
which he lost a third of his blood). Hwang's desire to flip The King and
I on its head comes to life, with Xūe in the role of Anna coming to the
United States to civilize the barbarous Americans. Soft Power turns
into a full-on musical through the looking glass, showing how China
might see the US, from its obsession with guns to its ethnic prejudices
to its absurd system of government where the people choose their
leader, rather than an elite group of professionals. In China, Xūetempts Hillary, she'd already be the leader since Clinton is so clearlyqualified and ready. Maybe democracy is over-rated.
None of this captures the loopy nature of the show. It lovingly spoofsand quotes everything from A Chorus Line to The Music Man and of
course The King and I, among many other shows. At one point, when
Hillary is trying to dumb down her message to appeal to the masses,she belts out a song at a McDonald's and rides rodeo on a giant frenchfry. My Fair Lady 's "The Rain In Spain" is transformed into a number
where Xūe genially coaches Hillary on how to pronounce his name and
the meaning of fourth tone and so on.
The Chief Justice of the Supreme Court even goes all Schoolhouse
Rock on us to explain our election system and the glory of the Ballot
Box. Remember, this is all from the perspective of a Chinese-fundedBOOKS: Don't Bother Trying To
"Find Me"
THEATER: "The Sound Inside"
Gets Muffled By Final...
THEATER: Stuff and Nonsense
for Friendly Crowds --...
THEATER: "Scotland, PA" or,
The Bloody King Of Bur...
THEATER: "For Colored Girls"
Returns. Finally!
The Movies, Books, Theater,
Concerts, CDs I've See...
BookFilter Reading List
TV and Film Must Watch ListTHEATER: "Forbidden
Broadway" Is Back and
Broadway...
THEATER: "Soft Power" In
Hard Times
THEATER: "Dublin Carol" Hits
a Mournful But Hopefu...
THEATER: COLE PORTER
REVUE "DECLINE ANDFALL" IS T...
THEATER: "Terra Firma" Is On
Shaky Ground
THEATER: "The Glass
Menagerie" Sans Tricks OrTrea...
THEATER: Wrestling With
Faith in "Heroes Of The Fo...
THEATER: A Bright Future In
Reach For "Chasing Rai...
THEATER: The Not-So "Great
Society"
THEATER: BOO! A Halloween
Scare Fest Closes Its Ey...
THEATER: "A(loft) Modulation"
-- A Play With Jazz ...
THEATER: "Freestyle Love
Supreme" and "DerrenBrow...
BOOKS: A Fantasy Classic
Finally Translated Into E...
► September (10)
► August (9)
and mounted show that becomes Asia's seminal idea of what America
is really like, just as The King and I symbolized Western attitudes
towards Asia. Indeed, there's even a bizarre detour for a 50th
anniversary celebration of the musical we're watching, complete with
panel discussion and a silly Westerner they can gently mock. (Gently,because they're the one with all the power and America has long sincefaded from preeminence.)
You might imagine Hwang delivering a scathing take-down of the US
or a sly skewering of China's imagined fears about America anddemocracy. But you'll get neither. Soft Power is indeed soft in every
way -- it's gentle, earnest, polite and really not out to offend much of
anyone. Are we meant to be amused by China's distorted idea of
America or perhaps laugh at ourselves when seeing the US throughthe eyes of outsiders? Neither happens. McDonald's as a symbol of USconsumerism? Well, sure. (And hey, they've got one in Beijing.) Anobsession with guns? Duh. If that's how China sees us, well, they'repretty spot on there too, aren't they? So what's the point?
It's a treat to see an almost all-Asian cast in a musical. But that's not
enough. Soft Power is too timid to do more. If this is the flip-side of
The King and I, why is Xūe talking to Hillary? She lost, Hwang!
Hillary is not the leader of the country. Xūe (or really, a Chinesewoman) should be civilizing Trump . I can't blame Hwang for not
wanting to grapple with Agent Orange, even in his imagination. But ifhe's going to update The King and I, that's what he needed to do.
Since they kept Clinton, why cast a white woman? Alyse Alann Louis
has a lot of fun in dual roles, especially when Hillary is chowing down
on ice cream and pizza while singing the blues and surely her casting isthere to clarify the gap between East and West. But since Broadway(and Hollywood) has such a long history of casting white people in
yellow face, surely it would have been more on point to include, say,
the sole Japanese actor in a sea of Chinese faces to play the whitewoman. (Or at least a woman of color.) This certainly isn't a criticismof Louis, one of the show's bright points.
The cast is game for this grab-bag of a goof, even though Saturday
Night Live tries to be more pointed on a weekly basis. (And South
Park actually succeeds.) By far the show's best element is Conrad
Ricamora as Xūe. He's sexy, charming, magnetic and all on his ownrescues the evening.
Ricamora was terrific in David Byrne's Here Lies Love. You can have
fun going through the Playbill and spotting how many cast members
appeared in that show. It's a testament to the top-notch talent here,but also a comment on how few roles written for Asian actors.
Ricamora's Broadway debut after that breakthrough?
The King and I.
It's enough to make you cry.
In his Broadway debut, Ricamora played Tuptim's lover and I felt he► July (7)
► June (3)
► May (6)
► April (10)
► March (5)
► February (1)
► January (8)
► 2018 (38)
► 2017 (6)
► 2016 (2)
► 2015 (29)
► 2014 (2)
► 2013 (5)
► 2012 (17)
► 2011 (15)
► 2010 (10)
► 2009 (43)
► 2008 (86)
► 2007 (781)
► 2006 (2412)
► 2005 (5)
was not up to the task vocally on the duet "I Have Dreamed." Here, his
singing demands are quite different. Ricamora shines on the show's
one solid number "Happy Enough," a piece illuminating the Chineseidea of sacrificing for the greater good. He is terrific in the serious
drama, the romance and the song-and-dance, not to mention
smoothly delivering two different accents. Thank goodness his hit TVshow How To Get Away With Murder has just begun its sixth and
final season. Ricamora should be available for a lot more theater andfilm work soon.
But this is mostly a musical and I fear the melodies by Jeanine Tesori
are akin to her work on Caroline, Or Change and Fun Home.
Sometimes her score can be beautiful and the 22-piece orchestra
certainly does it justice. Yet she has no interest in melody and it shows.
I don't need Jerry Herman, but I need something and Tesori offers it
up rarely and grudgingly. You'll find no equivalent to Fun Home's"Ring Of Keys" here, though in its way "Happy Enough" comes close.
That song is also the show's best effort at exploring cultural differences
between the US and China. Stereotypically, the US champions theindividual, while Chinese culture celebrates the greater good. The songoffers a nuanced moment and is worthy of Hwang's best intentions --here, he's not spoofing or making a point, merely revealing. Otherwise,he can't bring himself to question much about the US any more than
he can acknowledge that Trump won and is the real King right now.
If this show were the mirror-image of that Rodgers & Hammerstein
show, it would end with the the King being "civilized" by the Chineseinterloper who offers a new way of ruling. Instead, Hillary firmly
rejects Xūe's idea of a one-party state or anything less than full
democracy. If there's anything much to learn from Chinese culture (asopposed to the current Chinese government, of course), Soft Powerdoesn't grapple with it. No wonder director Leigh Silverman handlestraffic nicely but can't bring this muddle into focus.
Hwang's message, his big revelation is the same as that Chinese
romantic comedy: "stick with your mistake." In other words, you don'tgive up on the US just because Trump won an election. You stay and
fight for the greater good. Well, I don't know about Hwang, but I had
no intention of divorcing the US after the election. I never wanted totrash the American experiment. After 2016, I just wanted to trash theElectoral College.
NOTE: Read more on the National Popular Vote Interstate Compact at
Wikipedia or its official website.
THEATER OF 2019
Frankenstein: Under The Radar Fest at the Public ** 1/2
Minor Character: Under The Radar Festival at the Public ***
Ink: Under The Radar Festival at the Public ** 1/2
Choir Boy ** 1/2
White Noise ** 1/2
Kiss Me, Kate ***
Ain't No Mo' *** 1/2
Ain't Too Proud **
The Cradle Will Rock * 1/2
Mrs. Murray's Menagerie *** 1/2
Oklahoma! (on Broadway) ** 1/2
Socrates **
The Pain Of My Belligerence *
Burn This **
Hadestown *** 1/2
All My Sons * 1/2
Tootsie ** 1/2
Ink ***
Beetlejuice **
Estado Vegetal ***
Hans Christian Andersen * 1/2
Cirque du Soleil: Luzia ***
BLKS ** 1/2
Moulin Rouge ** 1/2
Bat Out Of Hell **
Unchilding **
Sea Wall/ A Life ** 1/2
Harry Potter and the Cursed Child ***
Betrayal *** 1/2
Fifty Million Frenchmen ** 1/2
Freestyle Love Supreme ** 1/2
Derren Brown: Secret ***
(A)loft Modulation * 1/2
The Great Society **
I Can't See *
Heroes Of The Fourth Turning ** 1/2
Chasing Rainbows: The Road To Oz ***
The Glass Menagerie (dir Austin Pendleton & Peter Bloch) **
Terra Firma (debut of The Coop theater company) **
Forbidden Broadway: The Next GenerationDublin Carol ** 1/2
Soft Power **The Decline and Fall of The Entire World As Seen Through The EyesOf Cole Porter ***
Thanks for reading. Michael Giltz is the creator of BookFilter, a book
lover’s best friend. It’s a website that lets you browse for books online the
way you do in a physical bookstore, provides comprehensive info on new
releases every week in every category and offers passionate personal
recommendations every step of the way. He’s also the cohost of Showbiz
Sandbox , a weekly pop culture podcast that reveals the industry take on
entertainment news of the day with top journalists and opinion makers as
guests. It’s available for free on iTunes. Visit Michael Giltz at his website.
Download his podcast of celebrity interviews and his radio show, also called
Popsurfing and also available for free on iTunes.
POSTED BY MICHAEL GILTZ AT 1:12 AM
NO COMMENTS:
Post a Comment
Subscribe to: Post Comments (Atom)Newer Post Older Post Home
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WEDNESDAY, OCTOBER 16, 2019
THEATER: "Soft Power" In Hard Times
SOFT POWER ** out of ****
THE PUBLIC THEATER
In 2015, playwright David Henry Hwang had a very bad November.
First, Hillary Clinton was the choice of most Americans, including
Hwang. But the antiquated and ill-conceived Electoral College systemmeant Donald Trump became President of the United States. If thatwasn't bad enough for a Tony-winning New York liberal, Hwang wasattacked on the street. He was stabbed in the neck, nearly dying from a
random hate crime. The assailant took no money and fled after Hwang
shouted out in clear, unaccented English "What the fuck?," whichapparently threw the bastard for a loop.
These twin assaults on democracy and decency led Hwang to question
everything. Is the American experiment reaching an end? Will healways be too Chinese for some Americans and too American for someChinese? Where does he belong? Where does anyone belong? And
why do musicals starring Asians appear on Broadway only once every
decade or so? And why is it almost always a revival of
The King and I?
Like any real artist, Hwang turned his pain and probing into art. Soft
Power is an awkward, ugly duckling of a play that yearns to transform
into a swan of a musical. It's a mess but boy is his heart in the rightplace: on his sleeve.
Actually, I've just described the set-up of the show. In it, the character
DHH (a too-earnest Francis Jue) is meeting with a producer from
Shanghai named Xūe Xíng (Conrad Ricamora). Xūe company wants to
turn Shanghai into the Broadway of Asia (though it kind of already is),starting with a big, fat, American-style musical with a Chineseperspective. And they want DHH to write it!MICHAEL GILTZ AT WORK
Michael Giltz is a freelance writer
based in NYC and can be reached atmgiltz@pipeline.com
FAVORITE LINKS
Americablog
Five O'Clock Lightning baseball blogDeep Pop -- Lori Lakin's Blog
The Back Page -- Jason Page on ESPN
Radio
Cine-Blog -- George Robinson's Blog
Documents On Art & Cinema - Daryl
Chin's Blog
Brucie G's Wondrous Blog Of
Adventure and Mystery -- Bruce
Greenspan's Blog
BLOG ARCHIVE
▼ 2019 (81)
► November (1)
▼ October (21)
The movie they want him to adapt into this show? A hugely popular
romantic comedy about a husband and wife who are both miserable,
explore the idea of dating others but end up staying together for thesake of their vows and their child. It's called
Stick With Your Mistake
and the very Chinese idea of sacrifice for the greater good (of the
marriage, the family, the community, the country) is precisely what
appeals to Xūe and turns off Hwang.
Nonetheless, they go to a performance of The King and I, dissect the
musical's very problematic attitude towards non-Westerners,
acknowledge its emotional power, grab a chance to meet Clinton at a
meet-and-greet...and then Hwang is stabbed in the neck.
Hwang slips into a fever dream while recovering from his attack (in
which he lost a third of his blood). Hwang's desire to flip The King and
I on its head comes to life, with Xūe in the role of Anna coming to the
United States to civilize the barbarous Americans. Soft Power turns
into a full-on musical through the looking glass, showing how China
might see the US, from its obsession with guns to its ethnic prejudices
to its absurd system of government where the people choose their
leader, rather than an elite group of professionals. In China, Xūetempts Hillary, she'd already be the leader since Clinton is so clearlyqualified and ready. Maybe democracy is over-rated.
None of this captures the loopy nature of the show. It lovingly spoofsand quotes everything from A Chorus Line to The Music Man and of
course The King and I, among many other shows. At one point, when
Hillary is trying to dumb down her message to appeal to the masses,she belts out a song at a McDonald's and rides rodeo on a giant frenchfry. My Fair Lady 's "The Rain In Spain" is transformed into a number
where Xūe genially coaches Hillary on how to pronounce his name and
the meaning of fourth tone and so on.
The Chief Justice of the Supreme Court even goes all Schoolhouse
Rock on us to explain our election system and the glory of the Ballot
Box. Remember, this is all from the perspective of a Chinese-fundedBOOKS: Don't Bother Trying To
"Find Me"
THEATER: "The Sound Inside"
Gets Muffled By Final...
THEATER: Stuff and Nonsense
for Friendly Crowds --...
THEATER: "Scotland, PA" or,
The Bloody King Of Bur...
THEATER: "For Colored Girls"
Returns. Finally!
The Movies, Books, Theater,
Concerts, CDs I've See...
BookFilter Reading List
TV and Film Must Watch ListTHEATER: "Forbidden
Broadway" Is Back and
Broadway...
THEATER: "Soft Power" In
Hard Times
THEATER: "Dublin Carol" Hits
a Mournful But Hopefu...
THEATER: COLE PORTER
REVUE "DECLINE ANDFALL" IS T...
THEATER: "Terra Firma" Is On
Shaky Ground
THEATER: "The Glass
Menagerie" Sans Tricks OrTrea...
THEATER: Wrestling With
Faith in "Heroes Of The Fo...
THEATER: A Bright Future In
Reach For "Chasing Rai...
THEATER: The Not-So "Great
Society"
THEATER: BOO! A Halloween
Scare Fest Closes Its Ey...
THEATER: "A(loft) Modulation"
-- A Play With Jazz ...
THEATER: "Freestyle Love
Supreme" and "DerrenBrow...
BOOKS: A Fantasy Classic
Finally Translated Into E...
► September (10)
► August (9)
and mounted show that becomes Asia's seminal idea of what America
is really like, just as The King and I symbolized Western attitudes
towards Asia. Indeed, there's even a bizarre detour for a 50th
anniversary celebration of the musical we're watching, complete with
panel discussion and a silly Westerner they can gently mock. (Gently,because they're the one with all the power and America has long sincefaded from preeminence.)
You might imagine Hwang delivering a scathing take-down of the US
or a sly skewering of China's imagined fears about America anddemocracy. But you'll get neither. Soft Power is indeed soft in every
way -- it's gentle, earnest, polite and really not out to offend much of
anyone. Are we meant to be amused by China's distorted idea of
America or perhaps laugh at ourselves when seeing the US throughthe eyes of outsiders? Neither happens. McDonald's as a symbol of USconsumerism? Well, sure. (And hey, they've got one in Beijing.) Anobsession with guns? Duh. If that's how China sees us, well, they'repretty spot on there too, aren't they? So what's the point?
It's a treat to see an almost all-Asian cast in a musical. But that's not
enough. Soft Power is too timid to do more. If this is the flip-side of
The King and I, why is Xūe talking to Hillary? She lost, Hwang!
Hillary is not the leader of the country. Xūe (or really, a Chinesewoman) should be civilizing Trump . I can't blame Hwang for not
wanting to grapple with Agent Orange, even in his imagination. But ifhe's going to update The King and I, that's what he needed to do.
Since they kept Clinton, why cast a white woman? Alyse Alann Louis
has a lot of fun in dual roles, especially when Hillary is chowing down
on ice cream and pizza while singing the blues and surely her casting isthere to clarify the gap between East and West. But since Broadway(and Hollywood) has such a long history of casting white people in
yellow face, surely it would have been more on point to include, say,
the sole Japanese actor in a sea of Chinese faces to play the whitewoman. (Or at least a woman of color.) This certainly isn't a criticismof Louis, one of the show's bright points.
The cast is game for this grab-bag of a goof, even though Saturday
Night Live tries to be more pointed on a weekly basis. (And South
Park actually succeeds.) By far the show's best element is Conrad
Ricamora as Xūe. He's sexy, charming, magnetic and all on his ownrescues the evening.
Ricamora was terrific in David Byrne's Here Lies Love. You can have
fun going through the Playbill and spotting how many cast members
appeared in that show. It's a testament to the top-notch talent here,but also a comment on how few roles written for Asian actors.
Ricamora's Broadway debut after that breakthrough?
The King and I.
It's enough to make you cry.
In his Broadway debut, Ricamora played Tuptim's lover and I felt he► July (7)
► June (3)
► May (6)
► April (10)
► March (5)
► February (1)
► January (8)
► 2018 (38)
► 2017 (6)
► 2016 (2)
► 2015 (29)
► 2014 (2)
► 2013 (5)
► 2012 (17)
► 2011 (15)
► 2010 (10)
► 2009 (43)
► 2008 (86)
► 2007 (781)
► 2006 (2412)
► 2005 (5)
was not up to the task vocally on the duet "I Have Dreamed." Here, his
singing demands are quite different. Ricamora shines on the show's
one solid number "Happy Enough," a piece illuminating the Chineseidea of sacrificing for the greater good. He is terrific in the serious
drama, the romance and the song-and-dance, not to mention
smoothly delivering two different accents. Thank goodness his hit TVshow How To Get Away With Murder has just begun its sixth and
final season. Ricamora should be available for a lot more theater andfilm work soon.
But this is mostly a musical and I fear the melodies by Jeanine Tesori
are akin to her work on Caroline, Or Change and Fun Home.
Sometimes her score can be beautiful and the 22-piece orchestra
certainly does it justice. Yet she has no interest in melody and it shows.
I don't need Jerry Herman, but I need something and Tesori offers it
up rarely and grudgingly. You'll find no equivalent to Fun Home's"Ring Of Keys" here, though in its way "Happy Enough" comes close.
That song is also the show's best effort at exploring cultural differences
between the US and China. Stereotypically, the US champions theindividual, while Chinese culture celebrates the greater good. The songoffers a nuanced moment and is worthy of Hwang's best intentions --here, he's not spoofing or making a point, merely revealing. Otherwise,he can't bring himself to question much about the US any more than
he can acknowledge that Trump won and is the real King right now.
If this show were the mirror-image of that Rodgers & Hammerstein
show, it would end with the the King being "civilized" by the Chineseinterloper who offers a new way of ruling. Instead, Hillary firmly
rejects Xūe's idea of a one-party state or anything less than full
democracy. If there's anything much to learn from Chinese culture (asopposed to the current Chinese government, of course), Soft Powerdoesn't grapple with it. No wonder director Leigh Silverman handlestraffic nicely but can't bring this muddle into focus.
Hwang's message, his big revelation is the same as that Chinese
romantic comedy: "stick with your mistake." In other words, you don'tgive up on the US just because Trump won an election. You stay and
fight for the greater good. Well, I don't know about Hwang, but I had
no intention of divorcing the US after the election. I never wanted totrash the American experiment. After 2016, I just wanted to trash theElectoral College.
NOTE: Read more on the National Popular Vote Interstate Compact at
Wikipedia or its official website.
THEATER OF 2019
Frankenstein: Under The Radar Fest at the Public ** 1/2
Minor Character: Under The Radar Festival at the Public ***
Ink: Under The Radar Festival at the Public ** 1/2
Choir Boy ** 1/2
White Noise ** 1/2
Kiss Me, Kate ***
Ain't No Mo' *** 1/2
Ain't Too Proud **
The Cradle Will Rock * 1/2
Mrs. Murray's Menagerie *** 1/2
Oklahoma! (on Broadway) ** 1/2
Socrates **
The Pain Of My Belligerence *
Burn This **
Hadestown *** 1/2
All My Sons * 1/2
Tootsie ** 1/2
Ink ***
Beetlejuice **
Estado Vegetal ***
Hans Christian Andersen * 1/2
Cirque du Soleil: Luzia ***
BLKS ** 1/2
Moulin Rouge ** 1/2
Bat Out Of Hell **
Unchilding **
Sea Wall/ A Life ** 1/2
Harry Potter and the Cursed Child ***
Betrayal *** 1/2
Fifty Million Frenchmen ** 1/2
Freestyle Love Supreme ** 1/2
Derren Brown: Secret ***
(A)loft Modulation * 1/2
The Great Society **
I Can't See *
Heroes Of The Fourth Turning ** 1/2
Chasing Rainbows: The Road To Oz ***
The Glass Menagerie (dir Austin Pendleton & Peter Bloch) **
Terra Firma (debut of The Coop theater company) **
Forbidden Broadway: The Next GenerationDublin Carol ** 1/2
Soft Power **The Decline and Fall of The Entire World As Seen Through The EyesOf Cole Porter ***
Thanks for reading. Michael Giltz is the creator of BookFilter, a book
lover’s best friend. It’s a website that lets you browse for books online the
way you do in a physical bookstore, provides comprehensive info on new
releases every week in every category and offers passionate personal
recommendations every step of the way. He’s also the cohost of Showbiz
Sandbox , a weekly pop culture podcast that reveals the industry take on
entertainment news of the day with top journalists and opinion makers as
guests. It’s available for free on iTunes. Visit Michael Giltz at his website.
Download his podcast of celebrity interviews and his radio show, also called
Popsurfing and also available for free on iTunes.
POSTED BY MICHAEL GILTZ AT 1:12 AM
NO COMMENTS:
Post a Comment
Subscribe to: Post Comments (Atom)Newer Post Older Post Home